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Momentos estelares de Econolandia

Momentos estelares de Econolandia

"...Una lección de historia económica novelada"


El relax del economista

Memorias

Memorias

Economista formado básicamente en Francia, Samir Amin (El Cairo, 1931) es uno de los intelectuales más brillantes que ha dado la izquierda contemporánea. Autor de numerosas obras, su trayectoria ha estado fuertemente [...]

La elegancia del erizo

La elegancia del erizo

En el número 7 de la calle Grenelle, un inmueble burgués de París, nada es lo que parece. Dos de sus habitantes esconden un secreto. Renée, la portera, lleva mucho tiempo fingiendo [...]




Capitalism as Religion?: A Study of Paul Tillich's Interpretation of Modernity


Capitalism as Religion?: A Study of Paul Tillich's Interpretation of Modernity

ISBN: 978-0-674-02147-1
Materia: Sistemas económicos
Autor: Yip, Ching-Wah
Editorial: Harvard U.P.
Edición: 2006
Encuadernación: Rústica
Páginas: 210
PVP: 27,20 €




Reseña:
The relationship between religion and modern culture remains a controversial issue within Christian theology. This book focuses on Paul Tillich's interpretation of modern culture and the influence of capitalism, highlighting the context of his work in relation to Karl Marx and the Critical Theory of the Frankfurt School. When Tillich moved to the United States he sharpened his focus on the cultural dimensions of capitalism. Using the concept of 'cultural modernity', Francis Ching-Wah Yip reconstructs Tillich's interpretation of modernity with the key categories of autonomy, self-sufficient finitude, technical reason, objectification and dehumanisation, and shows that Tillich's notion of theonomy served to underscore the problems of modernity and to develop a response. The final section of the book relates Tillich's theology to contemporary theological interpretations of global capitalism and modernity. Yip appeals to the work of Jurgen Moltmann to argue that one should go beyond Tillich's analysis by placing much more emphasis on the material - economic basis of culture and by moving away from the Eurocentric viewpoint to a more global perspective. Finally, he draws on Emile Durkheim to show the quasi-religious dimension of capitalism as a global civil religion and as the culture of modern society.